April 09, 2012
— Ace Like, I don't know, one and a half stars. The film is obnoxious in its self-regard.
Let me explain.
There is a way of writing a screenplay, particularly exposition (telling viewers what's going on). Now, this method is somewhat artificial, of course. People don't typically call each other by their first names -- but they do this several times in the opening of a movie, just so you know what the character is named. So you know who the hell they're talking about.
But you have to do this. You don't want exposition to be obvious, but you do need to underscore the important elements and characters who will be in play for the duration of the film's running time.
Thus, moments after we first see Luke Skywalker, we hear his Aunt Beru call out to him, not once but twice: "Luke! LUUUKE!'
That "twice" thing is a standard trope in writing screenplay exposition. Let me give you a couple of examples.
If you wanted to make the plot of Tinker Tailor Soldier Spy easy for the audience to follow, and you were writing in the standard convention of screenplay exposition, you might have a scene between two characters go thus:
SMILEY: CONTROL thought there was a mole at the highest levels of The Circus.
ADELINE: A mole at the highest levels of British intelligence?! Paranoia! How does CONTROL know the Russians weren't feeding him that nonsense to divide us?!
Now, notice two things here. First, one character states the "mole" plotline. The second character immediately repeats it -- in case the audience missed it; hey, this is the main plot of the movie, and you don't want them to miss it. It's gonna be important, you know.
Second of all, the second character responds angrily, with emotion, to make sure the audience is paying attention. We are also fed the information that Smiley believes this theory, whereas Adeline dismisses it, and thinks it's stupid.
This injection of emotion/conflict is another big UNDERLINING of the central premise of the movie -- if characters are getting angry about it, it's a tip-off it's rather important and controversial. Like, we know there will be conflict about it.
One more thing about this "repeating" business. Notice Smiley said "The Circus" but then Adeline immediately defined "The Circus" for it, choosing to not call it The Circus, but call it "British Intelligence." Thus letting us know, hey, "The Circus" means "the collected agencies of British intelligence."
Now this is an artificial form of writing, I grant you. People don't actually talk like this, as if they're speaking for the benefit of audience members who do not know as much about the world the characters live in than the characters.
And yet this is necessary, if you want your audience -- who does not know as much about the world of The Circus as the characters here -- to follow what's going on.
Tinker, Tailor, Soldier, Spy does this sort of thing throughout, making a fetish of making the audience "pay attention" if they want to follow things, where you have to put 2 and 2 together to figure out who people are and what's going on.
For example, a major character dies early on. Right after the prologue, in fact. He dies, get this, in a one second shot that shows him in his hospital bed. In the credits.
And it's just a one-second shot, and frankly, he might have just been sick in the hospital bed. No nurses rush in, we don't see the vital signs monitor going beeeeeep, we see no quickie shot of a funeral.
Now, five minutes later, by implication, we realize this character is dead. Well, we think we realize it, by implication, and then we kind of zoom backwards on the DVD to make sure we didn't miss anything, and oh yeah, I guess maybe that shot of him in the bed was supposed to be him dead.
Could I follow the movie? Yes, with some effort, but I have to say, it made a mystery out of things -- the basic starting situation, the basic conflict, even character's names -- where a conventional movie would have tagged those all as important and made a mystery of what the characters found to be a mystery.
That is, a better-written movie, which wasn't fetishizing subtlety and elliptical reference so much, would have just told me the key elements of the mystery so I could then focus on the mystery itself. Not sit there wondering, "Wait, was John Hurt the guy they call 'CONTROL'? Is CONTROL dead or something? Did I miss a whole death? Cripes, I'm five minutes into this movie. Did I already miss a death?"
The plotline of Tinker Tailor Soldier Spy is actually pretty simple: There may or may not be a mole at the top of "The Circus." CONTROL thought there was, and mounted an operation to learn the name of the Russian mole, but the operation was a bloody botch -- the mole himself tipped off Soviet intelligence and captured the agent involved.
Now George Smiley, himself retired in the wake of the embarrassment over the operation, is asked to look further into this theory, operating outside British intelligence -- that is, actually spying on the British spies themselves, without real official authorization. (That is, if they get caught spying, they're actually guilty of spying and may be hanged or whatever.)
Kind of interesting, right? Well, the filmmakers here sure don't want you to think so. They insist you do not have any fun in what sure sounds like it could be a taut Out-Spy the Spies drama.
Tinker Tailer Soldier Spy is written in an obscurantist manner to make you think it's deeper than it is, and it winds up just being coy for the sake of being coy. And it's directed in a dreary way.
Let me just give you one more complaint. There are several flashbacks that happen, all right? And one of them occurs before I'm sure John Hurt is dead, and he appears in it, so I'm like, wait, is this a flashback or a new scene? I thought he was dead. Isn't he dead?
Anyway, yeah, he's dead. That's not even the problem.
The problem is that they feature a flashback to a dead character. Then there's a character you think is dead, but they flash sideways to him (that is, unconnected to the main plot) so you wonder, wait, is he alive, or was that another flashback?
Well, that one was was a flash-sideways not flash-back. He is alive. So, you know, the first half hour of the movie, and there's a question about exactly who is dead and who isn't.
And you're sitting there trying to figure out basic facts, rather than focusing on the actual mystery the plot presents-- is one of the Big Four in British Intelligence a spy? And if so, who?
Here's another complaint, then. First, we have this stupid impulse to make mystery out of things that ought to not be mysterious. Then the film doesn't even deliver on the actual mystery -- there's not really any detection or clues to point out who the spy is (by the way, it's easy to guess, based simply on Who Would The Filmmakers Cast as the Spy). It's just sort of random. All of a sudden it's just This Guy. No real clues led there. They just rig a simple trap for him (which, by the way, they could have rigged in the first hour of the film-- they gained no new information later which was necessary for the simple trap) and he shows up.
So the movie actually falls down completely on the actual Mystery plot. Instead of giving us an engaging Mystery to try to figure out, with clues and revelations and so on, we're too busy trying to figure out who the character named "Bland" is -- is he the one with the big skull or the funereal face?
And this is just an example of how this movie fetishizes bloodnessness and borningness for the sake of boringness:
When they actually find The Spy at the trap, you just see him sitting on a chair. There is no confrontation at that moment. He doesn't react. None of the heroes confront him. No gloating, no gunplay.
You just see him for half a second, and then they flash to him in prison. There is a little talky-talk there ("how could you," etc.) but it's just strange that the film decides to cut away from the moment of maximum tension and climax to just show you the guy sitting there, relaxing, and then a moment later in prison.
See, when he's in prison, there's no more tension. There's no fear he might pull a gun or do something desperate. It's over. Rather than milk that climax, the movie makes it a very short half-second shot of a man in a chair with his legs crossed and smoking a cigarette.
The movie seems less a movie than a manifesto -- we're not going to make a movie like other movies. We're not going to spoon-feed the audience basic information in the first twenty minutes so that they can follow things.
We're also going to avoid all that "drama" stuff, because, sure, that's fun and interesting and all, but we're above that sort of thing.
Ultimately, I followed the movie. I also really didn't care about any of it.
By the way, John LeCarre, who wrote the book, is a communist sympathizer who says things like "The right side lost the Cold War, but the wrong side one." He hates the Western system almost as much as he hates the Communist one (rather more, actually, I suspect).
So he has his Mary Sue, George Smiley, say something to a Soviet agent he's trying to persuade to come over to the West: "When did you realize the society you live in was just as corrupt and without merit as the one I live in?" And he means it.
I didn't really care about this, as I was expecting it. But socialists are just so dreary and lifeless and gray.
To that extent, the film is at least a faithful adaptation.
Alternate Movie Recommendation: If you're interested in this kind of thing, rent the underrated Enigma. It's not perfect, and it gets choppy in its rush to spell plot and background information out to us (several large, difficult-to-chew downloads of background historical information), but it's well done, has good actors, and a kickass John Barry score. (Barry did James Bond, of course.)
Posted by: Ace at
11:24 AM
| Comments (266)
Post contains 1790 words, total size 10 kb.
Posted by: Boulder Toilet maybe ex-hobo at April 09, 2012 11:26 AM (QTHTd)
Posted by: Hedgehog at April 09, 2012 11:26 AM (3jGS1)
Posted by: soothsayer at April 09, 2012 11:27 AM (jUytm)
It's a toss up between this and inception for which film wasted my time in the service of nothing more.
Posted by: McLovin at April 09, 2012 11:28 AM (j0IcY)
Posted by: soothsayer at April 09, 2012 11:28 AM (jUytm)
Posted by: AllenG (Dedicated Tenther) SMOD 2012 at April 09, 2012 11:28 AM (8y9MW)
Posted by: AllenG (Dedicated Tenther) SMOD 2012 at April 09, 2012 11:29 AM (8y9MW)
Posted by: Malia in DC at April 09, 2012 11:31 AM (c3mby)
Posted by: Truck Monkey at April 09, 2012 11:31 AM (jucos)
Posted by: Hedgehog at April 09, 2012 11:32 AM (3jGS1)
Posted by: logprof at April 09, 2012 11:34 AM (ykSKg)
"But socialists are just so dreary and lifeless and gray."
Sanctimonious jackwagons who can't leave anyone be and continuously prattle on about their wonderfulness, and are terribly, terribly earnest in their pieties and public prayers generally are.
Posted by: Mikey NTH at April 09, 2012 11:34 AM (hLRSq)
Colin Firth is the mole.
Posted by: EC at April 09, 2012 11:35 AM (GQ8sn)
Posted by: Bob at April 09, 2012 11:35 AM (s/Ukz)
I liked inception. I have no plans to waste my money on this one, though.
Posted by: AllenG (Dedicated Tenther) SMOD 2012 at April 09, 2012 11:35 AM (8y9MW)
Posted by: joncelli, heartless Con and all around unpleasant guy at April 09, 2012 11:35 AM (RD7QR)
Posted by: Brad at April 09, 2012 11:36 AM (zTZGo)
Posted by: ace at April 09, 2012 11:36 AM (nj1bB)
Inception at least looked cool. But total nonsense otherwise.
Dreams don't even work that way. They constantly change.
Posted by: eleven at April 09, 2012 11:36 AM (KXm42)
Posted by: polynikes at April 09, 2012 11:37 AM (eKmTe)
Posted by: toby928© at April 09, 2012 11:37 AM (GTbGH)
Posted by: Daniel Ruwe at April 09, 2012 11:37 AM (FZnfN)
Posted by: ace at April 09, 2012 11:38 AM (nj1bB)
Posted by: OC Conservative at April 09, 2012 11:38 AM (WIThS)
Posted by: Hoplite Housewife at April 09, 2012 11:38 AM (kvDix)
Posted by: toby928© at April 09, 2012 11:39 AM (GTbGH)
Posted by: cherry at April 09, 2012 11:40 AM (OhYCU)
Yes friends-it's a remake.
Posted by: Sort-of-Mad Max at April 09, 2012 11:41 AM (VMcoS)
Posted by: Sort-of-Mad Max at April 09, 2012 03:41 PM (VMcoS)
Damn near everything in movies other than Hunger games is these days. Can't wait for the total recall remake..
Posted by: Hedgehog at April 09, 2012 11:41 AM (3jGS1)
Posted by: soothsayer at April 09, 2012 11:42 AM (jUytm)
Posted by: polynikes at April 09, 2012 11:42 AM (eKmTe)
Posted by: SnowSoul at April 09, 2012 11:42 AM (QjWDj)
Dude. If that's your hang-up on Inception, you missed the point.
It's like a friend I have who hated A Knight's Tale because of the modern(ish) music and such. He just hated the movie because "it wasn't true to the period," (yes, he is in the SCA, why do you ask?).
After I realized he wasn't kidding (and apologized for laughing at him) I explained that it wasn't supposed to be "true to the period." It was supposed to be evocative of the emotions of the period.
Inception isn't about the dreams any more than Alien is about the Icarus, or 20,000 Leagues Under the Sea is about the Nautilus.
Posted by: AllenG (Dedicated Tenther) SMOD 2012 at April 09, 2012 11:42 AM (8y9MW)
Posted by: soothsayer at April 09, 2012 11:42 AM (jUytm)
I don't like the spoiler, but let me ask: Did you immediately say, "Oh, he's the biggest star and he plays nice guy roles; obviously it's him"?
Posted by: ace at April 09, 2012 03:36 PM (nj1bB)
Since you yourself said to skip this, and most of us sort of trust your word on these things, I didn't think it would really hurt anyone here. I mean, come on....this isn't the crowd to go for movies like this.
Anyhow, to answer your other question: yes. When you have a movie like this filled with big name actors, you almost have to concede that one of them is going to be playing the antithesis of what they usually do. Colin Firth's usually plays the nice guys, occasionally slipping into dick-ish characters (go rent St. Trinian's), so you kind of expect that maybe this is the one movie where he lets go of that kind of role and try the dark side for a change. Ciaran Hinds has played many baddie roles before, so having him as the mole would be predictable and so the producers opted not to make it that easy for the audience.
Posted by: EC at April 09, 2012 11:42 AM (GQ8sn)
Posted by: Gail at April 09, 2012 11:43 AM (H+ZSq)
"The Honorable Schoolboy" was very good, but was set in so many locations it will probably never be filmed.
He was a Lefty Oxbridge Brit Upper-Class Twit, but could turn a phrase...
Posted by: SantaRosaStan, neither Morg nor I-Morg at April 09, 2012 11:43 AM (Dll6b)
Damn near everything in movies other than Hunger games is these days. Can't wait for the total recall remake..
Posted by: Hedgehog at April 09, 2012 03:41 PM (3jGS1)
Battle Royale
The Running Man
Not quite the 100% remake thing, but close enough.
Posted by: IllTemperedCur at April 09, 2012 11:43 AM (tQoT4)
Yes sometimes Cristina wears the librarian glasses and sometimes she doesn't
Posted by: Buzzsaw at April 09, 2012 11:44 AM (tf9Ne)
That reminds me. I still have to review Predators and the last Muppet movie.
Thanks for not comparing this to Kirosawa or using the phrases "Black Swan" and "Overton Window."
Posted by: Empire of Jeff at April 09, 2012 11:44 AM (N/cWt)
Posted by: Truck Monkey at April 09, 2012 11:44 AM (jucos)
It's a toss up between this and inception for which film wasted my time in the service of nothing more.
Posted by: McLovin at April 09, 2012 03:28 PM (j0IcY)
**
At least Inception had the cool, trippy, CGI shit going for it and a few hot chicks. TTSP was just a confusing, miserable, dreary slog. It put my wife to sleep within 10 minutes and my dog walked out of the room. I desperatley wanted it to be good and coaxed myself thru the entire 2 hours. I've been hankering for a good spy flick for a long time now...Hollywood sucks.
Posted by: dananjcon at April 09, 2012 11:45 AM (8ieXv)
Thanks for pointing that out, I will remove that second "Luke" on the Blu-Ray anniversary Director's cut.
I can fix this movie yet.
Posted by: George Lucas at April 09, 2012 11:46 AM (Qxdfp)
Posted by: maddogg at April 09, 2012 11:46 AM (OlN4e)
This after the travesty that was Sum of All Fears?
They managed to make a movie so bad that it killed the Jack Ryan movie franchise.
Posted by: AllenG (Dedicated Tenther) SMOD 2012 at April 09, 2012 11:47 AM (8y9MW)
Posted by: Niedermeyer's Dead Horse at April 09, 2012 11:47 AM (piMMO)
Is that Ace's way of telling us he fell asleep during the movie and is only reviewing what he watched?
Posted by: kbdabear at April 09, 2012 11:47 AM (Y+DPZ)
probably on YouTube. ---Lots of layering; layer upon layer.........
"Smiley's People" was a good read. The Beeb mini-series which I saw or imagined I saw was okay
Posted by: SantaRosaStan, neither Morg nor I-Morg at April 09, 2012 11:47 AM (Dll6b)
O/T: Huh. Mittens and Bibi have been friends - GOOD friends since 1976. Who knew?
Posted by: Teresa in Fort Worth, TX at April 09, 2012 11:47 AM (0xqzf)
Posted by: Boulder Toilet maybe ex-hobo at April 09, 2012 11:48 AM (QTHTd)
Posted by: AllenG (Dedicated Tenther) SMOD 2012 at April 09, 2012 11:48 AM (8y9MW)
Posted by: Havedash at April 09, 2012 11:48 AM (F0WNa)
Ace, if you had to condense your review into 5 words, what would they be?
Posted by: Niedermeyer's Dead Horse at April 09, 2012 03:47 PM (piMMO)
King Ewok condense a film review post????? What's the fun in that?
Posted by: IllTemperedCur at April 09, 2012 11:48 AM (tQoT4)
Posted by: Roy at April 09, 2012 11:48 AM (VndSC)
That's because they didn't do it in 3D.
I've discovered if a movie is done in 3D, plots are pointless.
Posted by: jwb7605 at April 09, 2012 11:48 AM (Qxe/p)
Posted by: Soona at April 09, 2012 11:49 AM (2Z3Hb)
Posted by: ace at April 09, 2012 11:49 AM (nj1bB)
Posted by: EC at April 09, 2012 11:49 AM (GQ8sn)
Posted by: Cicero at April 09, 2012 11:50 AM (QKKT0)
Posted by: ace review - cliff notes at April 09, 2012 03:41 PM
That's a great idea for an Ace movie metric, rather than stars, thumbs down, or tomatoes
Looks like he gives it 4 clangs
Posted by: kbdabear at April 09, 2012 11:50 AM (Y+DPZ)
I really can't stop typing...
Posted by: Additional Blond Wiseass at April 09, 2012 11:50 AM (PMGbu)
Posted by: Soona at April 09, 2012 03:49 PM (2Z3Hb)
She gets him good! Does she ever!
Posted by: EC at April 09, 2012 11:50 AM (GQ8sn)
Yeah. We both knew that.
Like I said: member of the SCA.
But, that said, you're right- doing "period" music would have confused (at best) most of the audience. The 1960s/1970s music angle was much better, IMO.
Posted by: AllenG (Dedicated Tenther) SMOD 2012 at April 09, 2012 11:51 AM (8y9MW)
Posted by: Chris Balsz at April 09, 2012 11:51 AM (3GtyG)
I detest that chick from A Knight's Tale. The vocal fry voice and that irritating inability to close her mouth like that British potato Keira Knightely.
ARRGG! Close your damn mouth, woman! Are you going to drool next?
Posted by: weft cut-loop [/i] [/b] at April 09, 2012 11:51 AM (JEpGb)
some conservative doozies:
"...just kill them all"
"...America #1"
-entertained by watching cars going round and round on racetrack 500 times
-no understanding of "unintended consequences" or "blowback" or "do unto others ..."
rejection of Science
this is why college professors are liberal..the smartest people in the USA are liberal
Posted by: walter at April 09, 2012 11:51 AM (oA4y0)
Posted by: Fritz at April 09, 2012 11:51 AM (/ZZCn)
Yeah. We both knew that.
Like I said: member of the SCA.
But, that said, you're right- doing "period" music would have confused (at best) most of the audience. The 1960s/1970s music angle was much better, IMO.
Posted by: AllenG (Dedicated Tenther) SMOD 2012 at April 09, 2012 03:51 PM (8y9MW)
Haha...Role Models made fun of SCA peeps with the epic battle scene in the end.
Posted by: EC at April 09, 2012 11:52 AM (GQ8sn)
Tinker, Tailor, Soldier, Spy sucks.
Posted by: Clanger at April 09, 2012 11:52 AM (h3LiI)
Posted by: ace at April 09, 2012 11:52 AM (nj1bB)
Posted by: Rodger Ebert or maybe Jean Siskel at April 09, 2012 11:53 AM (9qxEF)
Forget this Tinker, Tailor, Soldier Shit movie:
Anyone ever watch the Comedy Central show called Workaholics? I caught the first season on Netflix over the weekend..and it's pretty funny.
Posted by: No good deed goes unpunished at April 09, 2012 11:53 AM (twiRb)
Posted by: polynikes at April 09, 2012 11:53 AM (eKmTe)
Never saw it.
I had fun with the SCA, frankly. I was never a full member, but I went to a few events. Whacking on each other with sticks (or, doing Light Fighting, with epee) is pretty fun.
Posted by: AllenG (Dedicated Tenther) SMOD 2012 at April 09, 2012 11:54 AM (8y9MW)
Posted by: CoolCzech at April 09, 2012 11:54 AM (Iaxlk)
Posted by: soothsayer at April 09, 2012 11:55 AM (jUytm)
Posted by: ace at April 09, 2012 11:56 AM (nj1bB)
Posted by: Soona at April 09, 2012 03:49 PM (2Z3Hb)
--Which version? I rented the original for $1 (Blockbuster express) and it was very good. I have heard the re-make is good, too, and despite the expected lack of surprises I'd be ken to rent it if it has some Moron recommendations.
P.S. I liked Rum Diary. saw it last week.
Posted by: logprof at April 09, 2012 11:56 AM (ykSKg)
>>>We're also going to avoid all that "drama" stuff, because, sure, that's fun and interesting and all, but we're above that sort of thing.
The fatal conceit of artists that folks actually liking your art is an irrelevant factor in its creation.
Posted by: MikeTheMoose Troll Hunter! at April 09, 2012 11:56 AM (0q2P7)
Never saw it.
I had fun with the SCA, frankly. I was never a full member, but I went to a few events. Whacking on each other with sticks (or, doing Light Fighting, with epee) is pretty fun.
Posted by: AllenG (Dedicated Tenther) SMOD 2012 at April 09, 2012 03:54 PM (8y9MW)
They make fun of SCA, but they don't do it in a malicious manner. In fact, the kid from Superbad, McLovin, is in it as a hardcore SCA player who you actually have sympathy for and begin to understand why he escapes to fantasy battles as a coping mechanism. The end battle is fucking hilarious as the two main characters and their child proteges enter themselves as a KISS-themed clan.
Posted by: EC at April 09, 2012 11:57 AM (GQ8sn)
All of Le C's books after the first three ( after "The Spy Who Came in From the Cold" ) are prolix, as ex-PFC Wintergreen says. Convoluted plots where the author jerks you around--just because he can
Claire Bloom in "TSWCIFTC" was hot in a young Jewish librarian sort of way
Posted by: SantaRosaStan, neither Morg nor I-Morg at April 09, 2012 11:57 AM (Dll6b)
*smack*
That's what you get for that.
No, the movie with Heath Ledger, et. al.
Twit.
Posted by: AllenG (Dedicated Tenther) SMOD 2012 at April 09, 2012 11:58 AM (8y9MW)
The director pointed out that orchestral score (which is what people would have wanted to be "true to period") would also be anachronistic<<<
Whereas the cute chick blacksmith scribing a Nike "swoosh" on Sir Snortsalot's armor so he could win Lady Needletracks' hand was completely period correct.
And while many noblewomen may have been scrawny, unfuckable crackwhores with emaciated bodies, that doesn't mean I want to see THAT portrayed accurately while you give history The Minivan on everything else.
Only bright spot: Alan Tudyk.
Posted by: Empire of Jeff at April 09, 2012 11:58 AM (N/cWt)
Posted by: ace at April 09, 2012 11:58 AM (nj1bB)
children who score low on intelligence tests gravitate toward socially conservative political views
in adulthood--perhaps because conservative ideologies stress "structure
and order" that make it easier to understand a complicated world.
some conservative doozies:
"...just kill them all"
"...America #1"
-entertained by watching cars going round and round on racetrack 500 times
-no understanding of "unintended consequences" or "blowback" or "do unto others ..."
rejection of Science
this is why college professors are liberal..the smartest people in the USA are liberal
Posted by: walter at April 09, 2012 03:51 PM (oA4y0)
--Troll, that's old news.
As for the study itself: Look up "confirmation bias."
Posted by: logprof at April 09, 2012 11:58 AM (ykSKg)
A Knight's Tale?
The movie with Martin Lawrence?
Posted by: soothsayer at April 09, 2012 03:55 PM (jUytm)
Heath Ledger, Chaucer and David Bowie
Posted by: IllTemperedCur at April 09, 2012 11:59 AM (tQoT4)
Thanks for the warning. Gahk. Glad I've been ignoring it.
It's a shame. There are so many better spy stories out there. If you want moral ambiguity there are better ways to tell the tale. For example, I just heard an interesting story this last week end about a person working in that field. The person himself, now long dead, had spoken with a relative of mine about his experience. When that guy was first in a position to kill a person, he did it. Not because it was necessary to the job, but because the could and he wanted to see what it felt like. The person had a variety of other unseemly characteristics that made him suitable for ugly work. The guy was evil, but working for our side. One of our bastards, so to speak, employed to defend against their bastards.
Posted by: Reactionary at April 09, 2012 11:59 AM (xUM1Q)
The PBS version with Alec Guiness (OK, I guess it must have originally been the BBC version) of Tinker, Tailor, Soldier, Spy was indeed most excellent.
One thing did John Le Carre did well was write spy novels.
Posted by: CoolCzech at April 09, 2012 11:59 AM (Iaxlk)
Posted by: rows d at April 09, 2012 11:59 AM (huxh9)
http://is.gd/ucX1tK
****
Wow! I had no clue, but to think that two men who struck up a friendship over a business deal, 35 years ago, do (or are in line to) hold such incredibly powerful positions is astounding.
How do those odds compare to the mega millions?
Posted by: Niedermeyer's Dead Horse at April 09, 2012 11:59 AM (piMMO)
Posted by: Dr. Varno at April 09, 2012 03:58 PM (KUSaK)
I never understood the technology behind the Cone of Silence.
Posted by: CoolCzech at April 09, 2012 12:00 PM (Iaxlk)
Posted by: EC at April 09, 2012 12:01 PM (GQ8sn)
Posted by: Retired Buckeye Cop at April 09, 2012 12:01 PM (M0NzJ)
Posted by: booger at April 09, 2012 12:01 PM (HI6wa)
P.S. I liked Rum Diary. saw it last week.
Posted by: logprof at April 09, 2012 03:56 PM (ykSKg)
----------------------------------------
I must have been the newer movie. It was on the movie pay-channel. I do have to say that I liked it so much I might go out and start buying the books.
Posted by: Soona at April 09, 2012 12:02 PM (2Z3Hb)
Posted by: Riding Through The Desert On A Sock With No Name at April 09, 2012 12:02 PM (Td6In)
http://is.gd/ucX1tK
Posted by: Teresa in Fort Worth, TX at April 09, 2012 03:47 PM (0xqzf)
----
That is nice but how does it impact all the Gentiles?
Posted by: RioBravo at April 09, 2012 12:02 PM (eEfYn)
How do those odds compare to the mega millions?
Posted by: Niedermeyer's Dead Horse at April 09, 2012 03:59 PM (piMMO)
--I think Mark Levin and Bibi were high school classmates for a year or two.
Posted by: logprof at April 09, 2012 12:02 PM (ykSKg)
Posted by: polynikes at April 09, 2012 12:03 PM (eKmTe)
I didn't realize Judea was so clean 2000 years ago.
Posted by: minuteman (formerly trainer) until Juggy is gone at April 09, 2012 12:03 PM (Rojyk)
Right problem, wrong criticism. The problem with the soundtrack to A Knight's Tale, (and Ladyhawke, while we're at it) is that the music dates the movie.
Once the music is no longer properly contextual, the movie dies from it. That's the main reason why you use orchestral music in most movies.
(Deliberate period pieces like Goodfellas are an exception -- the music is part of the period, so doesn't date the movie's production.)
Posted by: Meiczyslaw at April 09, 2012 12:04 PM (bjRNS)
About 90% of your bad art can be attributed to an artist that thought they were being all sorts of insightful when in reality their depth resembles a parking lot puddle.
Posted by: MikeTheMoose Troll Hunter! at April 09, 2012 12:04 PM (0q2P7)
Posted by: Soona at April 09, 2012 04:02 PM (2Z3Hb)
--Does the new one take place in Sweden as well,or did they change the place to account for the different actors?
Posted by: logprof at April 09, 2012 12:04 PM (ykSKg)
Posted by: Y-not hasn't read the comments at April 09, 2012 12:04 PM (5H6zj)
****
Yes. LMAO.
The first time I watched it I wasn't to sure about it, then it hit me that it's really this generation's stoner vids, We had our own back in the day.
Have you ever tried to go back and watch a Cheech and Chong movie? It's simply unbearable.
Posted by: Niedermeyer's Dead Horse at April 09, 2012 12:04 PM (piMMO)
Posted by: AllenG (Dedicated Tenther) SMOD 2012 at April 09, 2012 12:05 PM (8y9MW)
Posted by: Sort-of-Mad Max at April 09, 2012 12:05 PM (VMcoS)
Posted by: walter at April 09, 2012 03:51 PM (oA4y0)
------------------------
LOL. Who are you trying to fool? You mean the ones who have yet to figure out that communism doesn't work? Or thing Obama is a great orator? Or believe we can spend our way to properity, Nancy Pelosi is a voice of wisdom, guns cause crime, destroying the family is a great way to improve society, and that man's industry is warming the Earth? Libs are so full of unreason that it truly does qualify as a mental disorder.
College professors are indeed largely Liberal - unless they teach something that means something in the real world like math, science, engineering, etc. Libtardedness is much less common there. Alas - there are so many idiots in academia that it's plunging the US into ruin. The abundance of libtards in public ed are the entire reason that system is such a failure.
Posted by: Reactionary at April 09, 2012 12:06 PM (xUM1Q)
I think there are movie versions of both ( I either saw them or imagined them ). --------Both good ( if actually real )
when the movie version of "The Spy Who Came in from the Cold" was released , LeC got famous. Writing became wankish, but still often good.
--( twice as long with the same amount of good writing )
Posted by: SantaRosaStan, neither Morg nor I-Morg at April 09, 2012 12:07 PM (Dll6b)
*****
I second that. Fantastic and intense movie.
Posted by: Niedermeyer's Dead Horse at April 09, 2012 12:07 PM (piMMO)
Posted by: Dr. Varno at April 09, 2012 12:07 PM (KUSaK)
Posted by: Niedermeyer's Dead Horse at April 09, 2012 04:07 PM (piMMO)
I had no idea that Liam Neeson could kick so much ass. Literally.
Posted by: EC at April 09, 2012 12:08 PM (GQ8sn)
Shoot !! Everybody knows that it was Grandpa Amos McCoy who said "Luke, the barn ! Luke, the barn !"
Posted by: Walter Brennan at April 09, 2012 12:09 PM (e8kgV)
Yeah, but orchestral music will never do what the score from A Knight's Tale did- impart the "pop-culture."
In the Director's commentary (I think) for the movie, the Director said he specifically chose the stuff from Queen, and David Bowie, and such, because it helped audiences today relate to the emotions and "atmosphere," of what people then would have been feeling. To some extent- by the time you had jousting circuits- jousting was the NASCAR of Europe. He wanted to get that across.
The score has to help with that, and orchestral music wouldn't have done it as well.
Posted by: AllenG (Dedicated Tenther) SMOD 2012 at April 09, 2012 12:09 PM (8y9MW)
Posted by: booger at April 09, 2012 12:09 PM (HI6wa)
Posted by: Niedermeyer's Dead Horse at April 09, 2012 04:07 PM (piMMO)
Yep. Pure righteous-wrath pron. Two thumbs up.
Posted by: Reactionary at April 09, 2012 12:10 PM (xUM1Q)
Posted by: polynikes at April 09, 2012 12:10 PM (eKmTe)
Posted by: AllenG (Dedicated Tenther) SMOD 2012 at April 09, 2012 12:11 PM (8y9MW)
Posted by: polynikes at April 09, 2012 04:10 PM (eKmTe)
You mean his buddies? They really didn't do much. It was pretty much Neeson's character touching down in France and then he's on his own.
Posted by: EC at April 09, 2012 12:11 PM (GQ8sn)
JFK is a masterpiece of storytelling and editing, TTSP is garbage.
Do not even try analyzing this film it's impervious to it.
Posted by: McLovin at April 09, 2012 12:11 PM (j0IcY)
That reminds me of a Tim Powers novel called 'Declare.' Powers is amazing at finding the secret history behind real events. (For instance, what the battle at the Gates of Vienna was really for, in 'The Drawing of the Dark.)
In 'Declare' we learn about the supernatural forces, many left over from being awakened during WWII, that were the main weapons in the hot bits of the Cold War. The problem is the narrator, telling of his time from the end of WWII up to the Soviet collapse, treats you like a colleague who knows exactly what he is vaguely describing. By the time some bits of vital info are dribbled out, you either have to mentally review the book to realize what all of those events really meant or go back and read it over.
That isn't necessarily a bad thing. It takes three or four readings of 'Watchmen' to understand everything happening. But that was due to it being so rich. Everything was there to see. It was just too much to process all at once. 'Declare' doesn't feel that way. It's more like Tim wanted to treat large portions of the story as still need to know and you don't need to know.
But I'm the guy paying for this, so yeah, I do need to know. It is still a Tim Powers book, so worth reading but not his best. I'd be annoyed if I'd forked out for the hardcover.
Posted by: epobirs at April 09, 2012 12:12 PM (kcfmt)
Posted by: polynikes at April 09, 2012 12:12 PM (eKmTe)
Posted by: AllenG (Dedicated Tenther) SMOD 2012 at April 09, 2012 04:11 PM (8y9MW)
"Doctor...doctor...doctor...doctor...doctor...doctor...and doctor."
Posted by: EC at April 09, 2012 12:12 PM (GQ8sn)
the first season on Netflix over the weekend..and it's pretty funny.
There's a BBC show on Netflix called The IT Crowd. It's flat out hilarious. Check it out if you get a chance.
Posted by: Cicero at April 09, 2012 12:12 PM (QKKT0)
Well this arfer of a movie (as in 5 arfs, it's a bow wow of a movie) has been out for a while. So why the delya in reviewing it. I already wasted my money on tickets for it three or four months ago.
In fairness to Le Carre (and it's hard being fair to that worthless lefty of an author) his George Smiley books involved an awful lot of interior monologue on the character's part. That sort of novel does not translate well to the movie screen.
When they did Tom Clancy's The Hunt for Red October, they had a similar problem. A good part of that novel was in the interior of the Russian submarine commander's mind--why was this Hero of the Soviet Union and scion of the Communist aristocracy defecting with the Russkie's new Boomer? Sean Connery played the Russky captain and did a pretty good job--all things considered. [And yes folks--the reference to the Communist "aristrocracy" was not a typo. In the Soviet Union of old some pigs were much more equal than others.]
But getting back to Lefty LeCarre. In his last book The Constant Gardener he had to invent a lead character who was getting cheated on by his hot and horny young wife--who met her just fate at the hands of a bunch of the natives--and then the villian became Big Pharma. Once these lefty bozos can't write about Nazis anymore (all the remaining Nazis checked into old folks homes with Alzheimers 25 years ago) or Russky spies (oops the Cold War sorta ended 23 years ago) they have to find new villains.
Wonder when LeCarre will come out with a novel calling for a boycott of Rush Limbaugh? On a bookrack near you--coming soon!
Posted by: Comanche Voter at April 09, 2012 12:13 PM (6USwK)
Posted by: Vashta Nerada at April 09, 2012 12:13 PM (HLFzM)
Posted by: Dr. Varno at April 09, 2012 04:07 PM (KUSaK)
I doubt that it had "Soul Finger" by the The Bar-Kays.
Posted by: Austin Millbarge at April 09, 2012 12:13 PM (e8kgV)
Posted by: polynikes at April 09, 2012 12:14 PM (eKmTe)
"First we will.... {Duck under table, read furiously, stand}... clean the incision site..."
Posted by: AllenG (Dedicated Tenther) SMOD 2012 at April 09, 2012 12:14 PM (8y9MW)
Posted by: logprof at April 09, 2012 04:04 PM (ykSKg)
----------------------------------------
It's about a rich/prominent German family that live in seperate houses on an island owned by that family. Although some of the movie was definitely set in Germany.
Posted by: Soona at April 09, 2012 12:15 PM (2Z3Hb)
Posted by: Tchaikovsky at April 09, 2012 12:16 PM (Qxe/p)
Posted by: AllenG (Dedicated Tenther) SMOD 2012 at April 09, 2012 12:16 PM (8y9MW)
Posted by: EC at April 09, 2012 12:17 PM (GQ8sn)
I don't know about "never", but it would have been harder.
Look, I'm not seriously criticizing A Knight's Tale -- as far as I can tell, it was made knowing it would have a shelf-life; that it had no pretension to be a "classic".
In other words, its "closest comparable" might be Men In Tights.
Posted by: Meiczyslaw at April 09, 2012 12:17 PM (bjRNS)
Posted by: Soona at April 09, 2012 04:15 PM (2Z3Hb)
--Ah, not much geographical difference. I may have to check it out; I like Daniel Craig enough anyways.
Posted by: logprof at April 09, 2012 12:18 PM (ykSKg)
Walter. I agree. Smart people do tend to go liberal a little more often than conservative, because liberalism has one central tenant.
1. Smart people should run everyone's lives.
It turns out, ask most folks if they want to be a petty tyrant and they will say yes.
It also turns out, most smart folks think they are better than everyone else because they are smart. Even more of a tendency to be a petty tyrant.
By the way I'm smarter than you so you can respond if you want, but you'll just embarrass yourself.
Posted by: MikeTheMoose Troll Hunter! at April 09, 2012 12:18 PM (0q2P7)
Posted by: Hollis P. Wood at April 09, 2012 12:19 PM (e8kgV)
Posted by: AllenG (Dedicated Tenther) SMOD 2012 at April 09, 2012 12:19 PM (8y9MW)
The movie was too convoluted, too hard to follow. It sucked.
Posted by: myYbj at April 09, 2012 12:20 PM (myYbj)
Posted by: Steve Wozniak at April 09, 2012 12:21 PM (e8kgV)
Posted by: The Jackhole at April 09, 2012 12:23 PM (nTgAI)
Posted by: Hollis P. Wood at April 09, 2012 04:19 PM (e8kgV)
I've been a little bound up myself lately. However, should have a good supply of worms in a week or so.
Posted by: Mike Wallass at April 09, 2012 12:24 PM (WUWb9)
Posted by: walter at April 09, 2012 03:51 PM (oA4y0)
When I'm king, psychologists and AGW "scientists" will be required to wear wizard hats.
Posted by: Hydrocarbon Liberation Front at April 09, 2012 12:24 PM (NVu2l)
****
It was like experiencing Harrison Ford as an adventurer for the first time as Indiana Jones. It was so unexpected because he didn't have the "look" one might expect. Neesom's skill is that he can play it all (although I wouldn't bet on any of it being done with a foreign accent) so he's the tender father one moment and the machine the next.
When he walked into the house, alone, with all those men sitting around the table, I almost peed my pants.
Posted by: Niedermeyer's Dead Horse at April 09, 2012 12:26 PM (piMMO)
Posted by: Formula92 at April 09, 2012 12:26 PM (3Z3u0)
Posted by: BurtTC at April 09, 2012 12:28 PM (L4gwX)
Posted by: Minuteman at April 09, 2012 12:28 PM (acEq7)
Putting words in other people's mouths and stealing from Treacher simultaneously. That is low.
Plus it was pretty dumb when Treacher wrote it to fill a slow news cycle.
Posted by: epobirs at April 09, 2012 12:29 PM (kcfmt)
Posted by: Dang at April 09, 2012 12:30 PM (BbX1b)
Same stuff in the Chevy Malibu's trunk in 'Repo Man' and the case retrieved by Vincent and Julius in 'Pulp Fiction.'
Posted by: epobirs at April 09, 2012 12:30 PM (kcfmt)
This story was done on British TV back around 1980 or so. George Smiley was played by Alec Guiness. It was superb.
Can be watched on YouTube.
Posted by: Wm T Sherman at April 09, 2012 12:33 PM (w41GQ)
Depends. If you still think of him as 'Darkman,' then nothing he does can surprise you.
Plus, he did Excalibur and Krull. That has to leave a mark.
Posted by: epobirs at April 09, 2012 12:34 PM (kcfmt)
Wrong. The Jackel..also with Willis. anda smoldering Gere Posted by: Formula92
But getting to see Jack Black murdered raised the whole movie off the floor for about a minute.
Posted by: Dang at April 09, 2012 12:34 PM (BbX1b)
Posted by: Brian at April 09, 2012 12:35 PM (wTSvK)
Dang,
After I posted I meant to add that was the one shining all to brief moment in the film. I think I will youtube it and smile
Posted by: Formula92 at April 09, 2012 12:36 PM (3Z3u0)
"Inception at least looked cool. But total nonsense otherwise.
Dreams don't even work that way. They constantly change."
Inception was complete nonsense, indeed. Everybody knows that once humans learn how to "pre-program" dreams, this ability won't be used for corporate takeovers and theft of intellectual property.
It will be used for rutting. Epic rutting.
"Inception" is to "future dream tech" what "Hackers" and "The Net" was to the actual Internet.
Posted by: reason, COMPLETELY AVAILABLE FOR AUDIO ANALYSIS ON CNN, at April 09, 2012 12:36 PM (+hPIb)
Ace, I think you're spot-on with the review (although paradoxically, the Brit reviewers seem to have found the Guiness version perplexing and loved this one.) I'm pretty sure, though, that the bit you cite about Smiley interviewing Karla and implying a moral equivalence between the West and the Soviet bloc is purely from the script for this adaptation, not the book. If I remember correctly, in the book Smiley remembers how frustrating and ultimately unsuccessful his recruitment attempt with Karla proved to be, as well as the fact that Karla steals his cigarette lighter in the course of it (which arguably puts Karla onto Smiley's relationship with Anne, the weak spot that is so effectively deployed against him later, and also provides a neat motif for rounding out the whole affair in Smiley's People) but doesn't recall much in the way of dialogue.
Not that I'm disagreeing with your assessment of Cornwell's leanings - he seems to have despised both sides of the Cold War with equal fervor, and had a special hatred for the United States that only moderated briefly by the time of his later work (see, for example, The Night Manager) but returned with full force with the outbreak of the Iraq War.
Contrary to one of the comments above, though, he wasn't a typical product of the British upper classes - Cornwell was barely in the ranks of the middle class, and that only due to the machinations of a father was who was a life-long conman and swindler who frequently left the family in poverty and constantly dogged by the stigma of his latest crime. While he managed to attend many of the so-called "right" schools, it was more by virtue of talent and (occasionally) the illicit funds his father sometimes provided. The guy has a tremendous dislike for the British caste system and is the very definition of "father issues" - plus, the few times he's ever dished on his own experience in the Intelligence world, Cornwell has painted it as a lurid farce full of disappointing, shabby wannabes rather than the high-stakes drama of Smiley's milieu, so there's that to consider as well.
Posted by: A. Pendragon at April 09, 2012 12:37 PM (pYA5L)
Posted by: And Irresolute at April 09, 2012 12:39 PM (RC3M9)
Posted by: A. Pendragon at April 09, 2012 12:42 PM (pYA5L)
Posted by: Kevin at April 09, 2012 12:50 PM (3o64G)
Posted by: John at April 09, 2012 12:53 PM (s4wkw)
Same stuff in the Chevy Malibu's trunk in 'Repo Man' and the case retrieved by Vincent and Julius in 'Pulp Fiction.'
Posted by: epobirs at April 09, 2012 04:30 PM (kcfmt)
We know what was in J. Frank Parnell's trunk in "Repo Man", a neutron bomb. And pie!
So let's get sushi.
And not pay.
Posted by: Minuteman at April 09, 2012 12:58 PM (acEq7)
That would be hard. Spies Like Us was awesome."
Won't you gentlemen have a Pepsi?
Posted by: Additional Blond Wiseass at April 09, 2012 01:00 PM (PMGbu)
Posted by: steevy at April 09, 2012 01:01 PM (7W3wI)
Posted by: Niedermeyer's Dead Horse at April 09, 2012 04:07 PM (piMMO)
I had no idea that Liam Neeson could kick so much ass. Literally.
Posted by: EC at April 09, 2012 04:08 PM (GQ8sn)
That movie really freaks out any father with a young daughter. I didn't want to let my daughter out of my sight for a few days after watching that.
Posted by: Hedgehog at April 09, 2012 01:04 PM (3jGS1)
Posted by: Ken at April 09, 2012 01:05 PM (7yb9x)
And then, my gosh, after 1990 it turned out they didn't love their Grenztruppen after all.
Posted by: PersonFromPorlock at April 09, 2012 01:14 PM (2VCZA)
Posted by: ace at April 09, 2012 01:15 PM (nj1bB)
In a world...
...where spies spy on spies.
One spy must spy upon truth in order to see the mystery of why spies spy.
Tinker Tailor Soldier Spy: A mystery so deep, you'll leave wondering if you even saw a movie at all...
Posted by: movie voiceover guy at April 09, 2012 01:15 PM (kZVsz)
Liberals gravitate to jobs without measurable outputs.
Posted by: toby928© at April 09, 2012 01:17 PM (GTbGH)
Had to backtrack to the dead guy in the hospital bed and still wasn't sure at first whether or not it was Control. The head was angled back in a way that made it hard to tell if it was John Hurt.
Also felt a little pissed off when I realized the trip to the optometrist for new glasses frames was a device to give the viewer a signal about flashbacks. Then I kept getting distracted because I kept checking out Smiley's specs to figure out whether it was present or past.
Posted by: Jix at April 09, 2012 01:19 PM (VDKgR)
Posted by: Billy Bob, pseudo intellectual at April 09, 2012 01:24 PM (Cydud)
Posted by: ace at April 09, 2012 01:43 PM (nj1bB)
Posted by: Christopher Taylor at April 09, 2012 01:46 PM (r4wIV)
Posted by: Christopher Taylor at April 09, 2012 01:49 PM (r4wIV)
Posted by: Fritz at April 09, 2012 01:55 PM (KWdVT)
LeCarre is a douche, but the Smiley books are fine writing.
I enjoyed the movie, but I read the books back in the 80s and still remember most of them.
If you didn't read the books, you may have missed some of the spycraft, such as Smiley leaving a matchstick stuck between the door and frame.
As a period piece, it was impressive. I'd forgotten about that song (and movie) "The Second Best Secret Agent".
The technology (encrypted telex machine, operater actuated wiretap) was perfect.
Posted by: Frankly at April 09, 2012 02:01 PM (aPCbR)
Posted by: Jean at April 09, 2012 02:11 PM (a9Izx)
Parnell talked about neutron bombs in one scene but there is nothing to indicate such an item in the trunk. The manifested effects, vaporization of unfriendlies limited to an extremely local range and a flying car, are not exactly in the advertised feature set of nuclear weapons.
Posted by: epobirs at April 09, 2012 02:14 PM (kcfmt)
Posted by: Paul Morphy at April 09, 2012 02:17 PM (BB0/w)
Posted by: Croaker at April 09, 2012 02:23 PM (0/e//)
The book was an early effort by Le Carre. I know he is now an out and out hater of everything Western now, but Tinker, Tailor and Smiley's People are both great books. (It is actually a trilogy, but the middle one, The Honorable School Boy, is too confusing and long plus Smiley is more of a minor character.)
There is a British miniseries of both books with Alec Guiness as Smiley that is also quite good. I have not seen the movie.
Posted by: PowerLifter at April 09, 2012 02:29 PM (MnTwj)
I agree this movie sucked.
The BBC version, which I watched on Youtube (one of those uploads that could disappear at any time), is really quite good.
So is the BBC sequel, Smiley's People. Actually, that may be more entertaining than Tinker Tailor.
Having read those two books, and a couple of others by Le Carre, yeah the dude was a leftist/communist sympathizer, but I find that's really downplayed and non-obnoxious, at least in the Smiley books -- perhaps because Smiley is clearly a political conservative. Also, I gather that Le Carre really does *not* like the US... that his attitude towards the US as a Cold War political player is probably not too far from that of the Circus mole in Tinker Tailor (as explained by the mole after he's captured).
It's interesting, in an article by or interview with Le Carre (I can't recall which), he makes the moral equivalency argument that Smiley (and the Circus) was just as bad as Karla (and the KGB) (particularly with respect to the events in Smiley's People).
Although that's what he believed as an author, that was definitely not my take-away as a reader (or viewer) of Tinker Tailor or Smiley's People. So I give Le Carre some credit for not engaging in hamfisted polemics. Of the Le Carre books I've read, the only place I felt the heavy hand of the author pushing his ideology was in the last few pages of The Honorable Schoolboy (literally just the last few pages). And I'll also add, although I disagree with his politics, Le Carre is a very, very good writer. A damn good writer. Far more skilled and talented than most purveyors of blockbuster fiction.
Posted by: John at April 09, 2012 02:29 PM (k5Bku)
Posted by: TrueNorth at April 09, 2012 02:36 PM (NvmaJ)
The fact that this review is accurate is the main (and highly impressive) accomplishment of the movie.
The author writes in the same kind of obnoxious, i think you said obscurantist way. Well put. Anyway, le Carre will give you pages of disjointed ramblings that consist of a characters thoughts, with a line here or there about place or dialogue. Then it's back to the swirling perfidies of the character's mind.
without fail, you know nothing of what's going on in a le Carre book until about a third of the way in. but he's British, so if he weren't a pompous ass he would be a fraud.
anyway, once the plot starts to emerge from the spongy bog of wasted pages I always start getting a twitch in my literature cock and i start reading late into the night and drinking scotch and shaving with a safety razor and generally opening myself up to the mockery of my room mate, a timid soul who lacks the strength of character to plumb his own depths in fiction. By the last fifty pages i still don't know much about the characters but i *know* the characters and i flip pages with the hand that's not working my turgidity and when the story takes the inevitable step in the direction of "oh yes, le Carre, you're a wise and tortured and fatalistic artist, aren't you?" i immediately lose my book bone and swear that the next one will be Ludlum.
But i always gravitate back to le Carre.
This movie was able to create the irritating feel of le Carre's literary experience. It pisses you off, intrigues you, disgusts you at the end, and leaves you ever more grateful for Nathan Hale, whose other regret, if those bastards had given him more time to think, would be that he wouldn't live to see the day when Britain's most laudable non-SAS export was snobbery.
Posted by: Josh Anderson at April 09, 2012 02:39 PM (rQm9b)
I kind of liked the movie in some ways. I thought Gary Oldman was brilliant, and there were a number of other great performances. I like reading about spies and I like movies about spying ("The Company" with Michael Keaton is good).
You have a great point about the way the story was presented. The subject is interesting because there have been top level moles that have played havouc with intelligence, but the movie presented things in a VERY obtuse and indirect way. I was disappointed in that, definitely. My husband had the same complaint you did when we watched it, Ace, and was frustrated. Having read a bit on the intelligence community, I put things together a bit faster than he did, but I didn't like spending so many cycles trying to put it all together when I should have been able to spend more time just enjoying the movie.
I have read the book, and it is a bit obtuse as well, and since Le Carre had a hand in the both I think that explains why. Too bad, really. Been waiting for a good, pro-West spy movie for what seems like ages.
Posted by: Linlithgow at April 09, 2012 02:45 PM (Gim9y)
Posted by: EC at April 09, 2012 03:42 PM (GQ8sn)
I thought it was probably Firth because he seemed intent on portraying himself as this womanizer and dandy, ergo someone frivolous and not to be taken seriously. Therefore, I assumed that was a cover as many people would tend to overlook him.
Posted by: Linlithgow at April 09, 2012 02:53 PM (Gim9y)
Posted by: logprof at April 09, 2012 03:56 PM (ykSKg)
Re: Girl with the Dragon Tattoo
Steig Larssen was an avowed socialist though, wasn't he?
Posted by: Linlithgow at April 09, 2012 03:02 PM (Gim9y)
Posted by: Christopher Taylor at April 09, 2012 03:04 PM (r4wIV)
>So he has his Mary Sue, George Smiley, say something to a Soviet agent he's trying to persuade to come over to the West: "When did you realize the society you live in was just as corrupt and without merit as the one I live in?" And he means it.<
Here is how that moment reads in the book:
" ' Look... we're getting to be old men, and we've spent our lives looking for the weaknesses in one another's systems. I can see through Eastern values just as you can through our Western ones...'
Guillam: 'Did Karla ever really think of staying?'...
' I'm sure it never crossed his mind,' said Smiley with disgust. 'I behaved like a soft fool. The very archetype of a flabby Western liberal. But I would rather be my kind of fool than his for all that.' "
In short, in the book, Smiley uses something like a moral equivalency argument to try to persuade Karla to flip. It's slightly ambiguous, but the passage is written in a way that suggests Smiley himself doesn't buy the argument (he prefaces it by saying, "I took the line of kinship," after having tried and failed with several other lines of argument).
Certainly, Le Carre never has Smiley say such a flatly ideological line as "When did you realize the society you live in was just as corrupt and without merit as the one I live in?"
Posted by: John at April 09, 2012 03:09 PM (k5Bku)
John at 241 - you nailed it! At best, the passage suggests Smiley using an interrogation technique that works in a lot of contexts, not least with your local constabulary: "Look, I understand you. You understand me. There's common ground here. Let's build on that." It can even work on committed ideologues and fanatics, as the FBI and CIA interrogation teams have demonstrated against a number of Al Qaeda insurgents - even KSM was roped in to a degree, although a little extra persuasion before clearly didn't hurt.
Just not against Karla. And the yob nicked Smiley's lighter, on top of everything else!
Posted by: A. Pendragon at April 09, 2012 03:42 PM (pYA5L)
Posted by: ace at April 09, 2012 03:44 PM (nj1bB)
Of course, I think for myself, so after repeated viewing I still found it dull as fuck and pointless. There's something about watching Gary Oldman -- who you know can be a crazy bastard -- just be completely still and do nothing. That's why I was so fascinated: how is he able to just sit there and do nothing and occasionally move his facial muscles ever so softly?? It's bizarre. Gard Oldman would be the equivalent of the dull librarian's amazing ass. It's just mysical and I'm just staring at it over and over and over.
All of Ace's observations are on point.
Contrast it to, say, The Wire, which was not viewer friendly and required the watcher to pay attention (as opposed to distracting the viewer by making them fill in gaps).
Somehow this was a spy movie with intrigue that was surprisingly unintriguing.
Make sure to check out Keef Olbermann's youtube clip where he waxes poetic about how much he genuinely loved the story and owned the box set of the original BBC series. He actually breaks down a scene or two on his special comment.
Posted by: sunny black at April 09, 2012 04:12 PM (0dyYY)
One more Le Carre/Cornwell bit, and I promise I'll cease and desist - it's just that everything about it fits perfectly in my (admittedly, minor-league) academic wheelhouse, not to mention being someone with a deep and abiding affection for the Brits that doesn't blind me to their foibles then or now, but especially then, when Tinker, Tailor, Soldier, Spy rolled off the presses.
There's no question, as I and so many others, first of all Ace, have suggested, that Cornwell has a special loathing for Americans, in particular those he associates with the JFK, LBJ, and Nixon years. Until the Night Manager came out (shortly following the marriage of one of Cornwell's children to an American spouse, providing him with American grandchildren over whom he doted) anyone with U.S. on their passport in one of his works was a grotesquely exaggerated cartoon. This was complicated, however,by his equally vehement loathing for the privileged upper classes and their excesses, which is a consistent feature in all his works, and by his falling into the 'Lawrence of Arabia" cult of romanticizing the plights of the Arab peoples and making him a prime convert for Edward Said's brand of rhetoric. (This last would eventually lead him to his celebrated exchange with Salman Rushdie, where Cornwell basically argued that Rushdie knew what was coming if you dared malign the Prophet and had no room to complain about the death fatwa - some of you may remember that was when Hitchens took up Rushdie's cause and tore Cornwell to ribbons in the press.)
As for his leftism, it's practically infused with mother's milk in many portions of the British Isles, and Cornwell's is arguably milder than some. In many respects he can be, when he's at his best, a less talented version of Orwell, if Orwell had ever opted to write byzantine thrillers about the game of espionage as it was played at the sunset of the British Empire. Remember too that it goes hand-in-glove with his visceral dislike of the upper caste, who in Cornwell's early youth and adulthood did not distinguish themselves (and leave a lot to be desired now, frankly). In an England where Minstrel Shows were regularly aired as entertainment up into the 1970s, where Gollywogs were openly marketed to children, and where birth still counted for so much of everything, a young Cornwell could look around and see a surprising number of the Peers of the Realm acting like an alliance with Hitler might not be such a bad thing, with the Duke of Windsor actually trying to work out a power-sharing arrangement with Adolph that would allow him to take the throne. The excesses he would have seen going on with the crown colonies and dominions, the attitudes of those who had returned "back home" that would have made ardent Southern segregationsists over here speechless.....
Well, the point is that Cornwell, early on, came to see the overlords of Britannia in light not dissimilar to that perceived by our early Founders - if not for the adulterating effect of Socialism, he might have taken a very different path indeed.
Still, he produced some of the true modern classics of the espionage genre, and it's difficuilt, even today, to put down one of his works, even when the propgandizing and moralziing are laid on extra thick....
Posted by: A. Pendragon at April 09, 2012 04:13 PM (pYA5L)
Posted by: kbiel at April 09, 2012 04:17 PM (T5155)
Gary Oldman? Great actor, socialist by choice. Actor's Equity card must say so.
We won (Le Carre hates that.), They lost (Le Carre mourns that.). Typical middling British Socialist infatuated crap. Written or filmed, still crap.
Avoid the books, the movies, the freaking parking spot, the mere thought of this all around abortion. Le Carre was a anus. His writing reflects him being that anus.
Avoid this like a hooker with syphilis.
There, done. Lots of words saved. You're welcome.
Posted by: enter sandman, returning commentor and lurker at April 09, 2012 04:25 PM (zxaA2)
Posted by: Some guy you don't know in Wisconsin at April 09, 2012 04:29 PM (Rv7qb)
Soldier, Sailor, Drag Queen, Sword Swallower.
New version will star the talents of George Michael...
Posted by: enter sandman, returning commentor and lurker at April 09, 2012 04:29 PM (zxaA2)
Okay, just one more bit and then no more - if you want a good take on the real-life individual on whom Alec Guiness based his characterization of George Smiley, check out Maurice Oldfield. The look, the mannerisms, the mode of speech, it's all there.
If you want to see who Cornwell had in mind when creating Smiley, google up John Bingham and the Reverend Vivan Green. As for Control, I've always envisioned him as Stewart Menzies, although a lot of people suggest instead one of his successors as "C" of MI6/SIS, Sir Dick White.
Posted by: A. Pendragon at April 09, 2012 04:45 PM (pYA5L)
Posted by: Frankly at April 09, 2012 05:37 PM (aPCbR)
Posted by: MHK at April 09, 2012 05:38 PM (4KIl/)
Posted by: PJ at April 09, 2012 06:07 PM (DQHjw)
He didn't actually do anything with the glasses, he got new ones. The old ones were kind of roundish and orangey-tortoise shell and the new ones were squarish and grayish.
Posted by: Jix at April 09, 2012 06:26 PM (VDKgR)
Posted by: PJ at April 09, 2012 10:07 PM (DQHjw)
Lives of Others was really good.
Posted by: sunny black at April 09, 2012 07:54 PM (0dyYY)
@ Ace:
1) Check out the BBC version of Smiley's People, or the first episode, anyway, to see if it's your cup of meat. It's very good, imho.
2) I would be curious to hear your take on Elite Squad 2: The Enemy Within (2010), currently on Netflix instant view.
Posted by: John at April 09, 2012 07:57 PM (k5Bku)
That he's a pinko isn't a surprise. (Now, that's a word we ought to bring back: PINKO.)
Posted by: Beverly at April 09, 2012 08:06 PM (pFtvZ)
Posted by: Vercingetorix at April 09, 2012 08:08 PM (pOUA4)
Posted by: ace at April 09, 2012 08:15 PM (nj1bB)
Posted by: ace at April 09, 2012 08:19 PM (nj1bB)
I agree with SantaRosaStan (#52) that The Honourable Schoolboy would be a good movie, but way too cumbersome to film due to the number of locations. My choice would be for a movie version of The Night Manager, but that would be difficult for the same reason. Excellent story, though.
Cornwall has a knack for prescience about what will be the world's next hot spot, but his conclusions are usually, in my opinion, horribly, horribly wrong. The creepiest example of that is Our Game.
Posted by: Editor at April 09, 2012 08:21 PM (n6r7l)
He claimed it to be an aesthetic as well as a moral choice...to betray his country to a foreign power intent on putting all of us in the ground. A statement to which George Smiley offers no real response. Totally disgusting.
I can almost forgive someone whose love of communism stems from ignorance. They are a fool of course, but they need not be evil.
It is quite another thing for someone whose job it is to study and understand the Soviet Union so as to protect Britain from that evil empire to find their evil ways more appealing. Such a person isn't worthy of the quick death this character received in the end.
While watching this movie, I was quite convinced for some time that it was a Cambridge Five scenario in which there was more than one spy. It was kind of a disappointment that in the end it just the one guy.
The clumsy flashback and sideways-flash business was truly irritating. It wasn't till Smiley showed up at Mark Strong's school that I was completely sure Strong was still alive and that this was not some other strange flash-back whose relevance would be later revealed.
Not the worst movie ever, but severely flawed.
Posted by: Lee Reynolds at April 10, 2012 01:54 AM (LXeaX)
Posted by: Kerry at April 10, 2012 03:14 AM (a/VXa)
264 "The big problem I had with this movie was the supposed motivation behind The Spy's betrayal."
But isn't the motivation essentially the same (to the extent we know it) that Kim Philby had in real life?
>They just rig a simple trap for him (which, by the way, they could have rigged in the first hour of the film-- they gained no new information later which was necessary for the simple trap) and he shows up.<
Although I agree the current version is rubbish, I think at a minimum Smiley required the cooperation of Toby Esterhase (who manages the safe house) to rig the trap, which he was not in a position to demand in the first hour (at that stage, Esterhase is a legitimate suspect for being the mole; but after Smiley interrogates Westerby and Prideaux, he learns enough to leverage Esterhase's somewhat reluctant cooperation).
There are also, iirc, several other, substantial and quite plausible obstacles made clear in the book and BBC version (including, not least, the "lateralism" re-arrangement of the Circus following the ouster of Control, which makes any setting of traps using Circus tools - such as a Circus-controlled safe house - virtually impossible).
Posted by: John at April 10, 2012 06:04 AM (k5Bku)
Ace, I agree with your take on the film (and it's a pretty good critique of Le Carre/Cornwell's writing as well). I was just trying to bring out some aspects of Cornwell that I believe influenced a lot of his early and some of his later work - he's not untypical of his generation in having a major problem with the class structure as it prevailed during his youth (look at the guys in Monty Python for example, in both their comedic work and a lot of their public statements) and that drives a lot of Tinker, Tailor. The way that Brits "read" each other and automatically make assumptions about their social standing and how that will govern any interactions is a major theme of both the book and the two film versions - in a sense Cornwell is doing a novel of manners as much as spy fiction. Flavored, of course, with that uniquely British passive-aggressive verbal flair - think of how often in the Oldman film, for example, the word "actually" is employed to devastating effect to put someone in their place, remind them of their station, or display dominance.
Factor that in with his messed-up childhood and resentment over Britain's decline relative to American ascendancy, and I believe that's Cornwell (and a lot of his generation) in a nutshell. He even recognizes this to an extent, when he has Connie Sachs (in the book) describe Bill Haydon as an "Empire Baby." He was born to a life of privilege in which Britain was a world-bestriding Colossus, and saw all of that taken away - Dominion Over Palm and Pine replaced by those upstart Yanks, and traditional class privilege rendered hollow and all but meaningless. Britain had the sheer effrontery to disappoint Haydon and confound his expectations, so he betrayed it right back, and switched over to what he saw as the next most congenial team. That Haydon does this without any regard for the human costs of his actions is the measure of what a moral monster he is, and I think a hint of some self-awareness on Cornwell's part of his own prejudices.
And with that, I'll step away from the thread. Thanks for a first-rate review and for tolerating me babbling away here.
Posted by: A. Pendragon at April 10, 2012 08:42 AM (F3Ima)
I wonder if there is anyone commenting here that was born before 1980.
Yes the movied plods...just like Cornwell's novels of which I've read over half a dozen. It could have been shot and edited differently which would have made it easier to understand for the 21st century brain.
Loved "The Spy who came in from the Cold" book and movie with Richard Burton, "Russia House" with Sean Connery, "The Tailor of Panama" with Geoffrey Rush and Peirce Brosnan and is the right title "Ordinary Gardner" with Ralph Fiennes. Point is you have to make the movies somewhat like the books are written because that is the whole point of Cornwell. If you don't you could tell the story in 100 pages instead of 300 and the movie would last 30 minutes.
I thought the latest movie was set up all wrong by starting with the CONTROL/Smiley/Botched mission stuff instead of the way the book started by introducing Prideaux as the mysterious school master with the hidden past and obvious disabling injuries from something bad that happened in a second world nation.
Was it PC to really play down the sexual relationship between Prideaux and Haydon? When I read the book it was pretty clear that the motive for Prideaux's "revenge" was not because he had been sold out while on a mission by a colleague...but by his lover.
I think a couple of the best examples of the movie genre are Gorky Park and Munich which are better than this movie.
Posted by: Cassady at April 10, 2012 10:36 AM (LjeoB)
Posted by: Fortunata at April 10, 2012 01:26 PM (90H1N)
Posted by: Caveman at April 12, 2012 01:52 AM (71hVO)
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Posted by: soothsayer at April 09, 2012 11:26 AM (jUytm)